Designer Jonathan Anderson has been awarded the London Design Medal, the London Design Festival’s highest honour, at an awards ceremony held on 14 September 2026 at RH London, The Gallery, in Mayfair.
Four medals, four disciplines
Anderson was joined by three other recipients selected by a jury of international creatives led by festival director Ben Evans. Anab Jain received the Design Innovation Medal for her work in speculative and future-focused design; Solveiga Pakštaitė won the Emerging Design Medal; and Sir Christopher Frayling, the cultural historian and former rector of the Royal College of Art, received the Lifetime Achievement Medal. “It is a true honour to be recognised by the LDF for my work within the field of craft and design, which have always been a personal passion of mine,” Anderson said of the award.
Pakštaitė said she was “passionate about promoting inclusion and sustainable habits through design”, while Jain described the recognition as an acknowledgement that speculative design is “inherently innovative and entrepreneurial”.
A festival now in its third decade
The medals form part of the London Design Festival, which Frayling noted has been “drawing the public’s attention to the key importance of design in everyday life” since it began in 2003. The festival’s programme spans installations, talks and exhibitions across the city, including a long-running series hosted at the Victoria and Albert Museum. This year’s programme included installations across the V&A’s medieval, Renaissance and architecture galleries, part of a deliberate effort by organisers to place new design work in dialogue with the museum’s historic collections rather than isolating it in a single dedicated space.
Why It Matters
Design awards rarely attract the same public attention as film or literary prizes, but the London Design Medal has become one of the field’s most closely watched honours, recognising work that ranges from commercial fashion to research-driven speculative design. Honouring a fashion designer alongside an emerging-talent researcher and a veteran academic reflects how broadly the festival now defines design, well beyond the furniture and product design with which it first became associated.





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